Negative Treatment of the Black Press Taints 2001 Bob Marley Day Celebration in Long Beach, California Article by Diane "Livonn" Adam - 2001 I have and continue to work very hard to report on and promote Reggae Music in the news media. My love for the music and the Rastafarian message has motivated my every step and emanated throughout my work. The Bob Marley Birthday Celebrations in Long Beach California have always been one of my favorite events. However, I am sad to report that this year's event held in Long Beach, California on February 17-18, 2001 was marred by the disgraceful treatment of many of the African-American journalists and photographers who diligently cover this event year after year. All seemed well on the first day of the event. Journalists and photographers met and greeted each other at press conferences that were overflowing with well wishes and gratitude from the promoters and organizers as they lauded all that we do for Reggae Music in the media. But many of the African-American journalists were deliberately barred from interviewing artists and, midstream on the second day of the event, barred access to a large portion of the backstage area. When confronting one of the organizers of the Long Beach Bob Marley Birthday show about why we were treated in this outrageous manner, we were non-chalantly told that the 'other' journalists and photographers had arranged their backstage access via the artists and there was nothing they could do to correct the situation. Perhaps, it might seem petty that many of us were outraged, since we were still "allowed" to view the show. However, if you have any idea of the work involved in developing stories, getting interviews and photographs, you know that in order to succeed journalists must have access to the artists and be free to move backstage to have a drink of water or take a break between shows and use the facilities. When you are barred from these amenities (usually a given for the media) you find yourself adrift in the sea of scorn that is set up for you. A condition that cannot be seen as anything but contempt for the work that we perform coupled with a deliberate attempt by the "powers that be" to control and eliminate our voice in the medium. Many times we African people try to turn the other cheek, walk away and go on in spite of the dreadful surroundings we find ourselves. But it is particularly distressing, when you discover that you are even barred from connecting with your mirror image reflected in each performer's face. We are told that we should not judge on color but in the good deeds that are done. Still, we witness the oppressors controlling hand all the way. We are told to unite with our white "brothers and sisters" and fight the good fight without surrendering to name calling and anger as we confront a kaleidoscope of injustices. I am and continue to be appalled, outraged and sickened by the calculated injustices that still linger at my doorstep day after day. Especially in the face of this Reggae Music! Music that exhorts again and again - Equal Rights and Justice! The songs are still sung…but often I wonder --- Is anybody out there listening? In this instance, acknowledging mistakes and correcting them would be the right thing to do. I expect it, but will not be surprised if, instead, I am greeted by more hostility and injustice in the wake of my disclosure. But take care! For "still" true are the words of His Imperial Majestey Emperor Haile Selassie I: "…Until all Africans stand and speak as free beings, equal in the eyes of all men, as they are in the eyes of Heaven; Until that day, the African continent will not know peace. We Africans will fight, if necessary, and we know that we shall win, as we are confident in the victory of good over evil." and The Honorable Marcus Mosiah Garvey who said: "If I were you, I would search myself to find out if there is any good in me."